


I have been drawn into and inspired by music from many cultures and
lineages. It is difficult in some sense to say what a ‘favorite’
music is for me, because I respond to patterns in music more than styles,
and many types of music drive these patterns. Born in South America,
and living in the Dominican Republic, I was exposed to Latin music and
culture in the household and embraced it naturally. And through this
process of creating music, my Hungarian lineage which seemed at once
distant has also organically come alive and closer to me, inspiring
me to explore the incredibly passionate and colorful folk music of Eastern
Europe.
I continue to seek that which expresses something I have felt inside
since I was young, which musically and vocally articulates feelings,
stories, and images in an intuitive non-English language and in a style
that transcends specific genre or even what I had grown up with. It
was when I experienced the Hammered Dulcimer that my recognition blossomed
into the musical compositions over the past few years and on my first
full-length album, Mystery of Souls. In 2002, I produced a short-length
compilation of original music, which included my first exploration into
the world of singing in an intuitive tongue with a song called Zezirah.
The song came through spontaneously, clearly, the imagery very strong
but muted, almost sepia-toned throughout, and the lyrics and harmonies
were quite natural, although I worked on them in the context of the
dulcimer arrangement. It was thrilling to feel this musical impulse,
submitting to that which had lived in me for so long and was finally
giving birth. This is one element, to me, of authentic expression, and
the edge where we have to let go into a creating that feels so vulnerable,
and intimate to share, and may make sense only to us in the end. Creating
music is an opportunity for me to defy identity and embrace something
much bigger and more mysterious yet passionately alive and visceral
in the body.”
I love the recording process, being in the studio, collaborating with
other musicians, and exploring the subtleties of the engineering process
of bringing so many musical elements together into a final mix. It’s
a real turn-on. You know you are doing what you are meant to do when
you can be in a dark room for many hours and not rather be anywhere
else.
The hammered dulcimer is very eclectic, fitting in with music from around
the world. It works beautifully in melody but also makes a fantastic
percussive instrument. It adds a mysterious, romantic, and passionate
quality to a composition that moves me deeply.
After moving to Santa Barbara, California, I began writing new music
and met Marshall. We began collaborating on the music for Mystery of
Souls. Marshall and I understand each other at a soul level, and he
understands the essence of what I am expressing musically and vocally.
He related to my rather unorthodox style with grace and without a limited
set of expectations of where I should go, and was also able to respond
and compose soulfully and without rigid ideas to the compositions we
chose for this project. This opened up our collaboration and served
as a fluid container in which to experience what has become Mystery
of Souls.
Melanie also plays frame drum and sings traditional repertoire in Turkish,
Hungarian, Bulgarian, Macedonian and the Ladino romances of the Sephardim.
She was recently invited to perform a contemporary tango in Turkish
at a recent Tango conference in Las Vegas. Melanie is a member of the
Middle East Ensemble Chorus in Santa Barbara, directed by Scott Marcus,
which performs locally and nationally.
melanie@mysteryofsouls.com
http://myspace.com/melaniehutton
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